MAURICE LEMAÎTRE, LE RETOUR !

It's known, that since 1951, the film going public, place themselves in front of a screen, not only to digest, to burp, but also to participate, in order that art and life can come together and meld.
But as I'm an old hand at public participation in art, I know that not all the spectators have talent, even if «anyone can write poetry" and some confuse the feast of the gods with the orgy of hogs. The film viewers, like their ancestor the pithecanthrope, have to learn to stand up on their own creative feet.