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by Maya DEREN 1945 / 16 mm / n&b / sil / 3' 00 | ||||||||||||||||||||||||||||||||
A STUDY IN CHOREOGRAPHY FOR THE CAMERA attempts to free the dancer from the static space of a theatre by transporting him towards a space that is as mobile and volatile as himself. It is a duet between Talley Beatty, the dancer, and the space he is in thanks to the collaboration of the camera and the film's editing .
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