HABITAT

In this film we move away from the notion of a work preconceived to ajustthe visual characteristiques of the image in order to allow us to enter thetemporal dimension of a pond full of frogs. In front of such creatures thattend to be elusive there arises a question of more general interest as tohow can one record moments that are meanful, how can one render visible,present a moment that is alive and connect the items forming the different recorded moments up together ?