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by Peter MILLER 2007 / 16 mm / n&b / sil / 3' 00 | |||||||||||||||||||||
A black horse and a white horse are interwoven. By checker-boarding contact prints of lap dissolves, subtle gestures and curves give way to graceful forms and elegant lines and a simultaneous lamentation of the horse’s fragile wildness, of their predisposition to domesticity.
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