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by Takahiko IIMURA 1962-1963 / 16 mm / n&b / son / 10' 00 | |||||||||||||||||||||
« I saw alot of avant-garde Japanese films. Among them, AI stands out for its beauty and originality, a cine-poem, without the usual pseudo-surrealist imagery. The closest comparison would be LOVING by Stan BRAKHAGE or FLAMING CREATURES by Jack SMITH. A poetic and sensual exploration of the body... fluid, direct , beautiful » Jonas MEKAS
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