Since 1969, Dominic ANGERAME has made more than 35 films that have been shown and won awards in film festivals around the world. He has also been honored by two Cine Probe Series at the Museum of Modern Art in New York City — in 1993 and in June 1998.
His most recent work Anaconda Targets (2004) is being exhibited at the the Whitney Biennial (2006), and was exhibited at the Toronto International Film Festival, Onion City Film Festival, Chicago, New York Film Festival, and the Vienalle in Vienna, Austria and will screen at the Hong Kong International Film Festival, Rotterdam Film Festival, Nashville Film Festival, and many more.
Dominic Angerame present his “City Symphony Series” along with Pixiescope, Waifen Maiden, Consume, and Anaconda Targets at the Havana Film Festival (Festival International del Nuevo Cine Latinamericano) 2006. This was the first time experimental cinema has been presented at this festival during the past 28 years.
His series of films Battle Stations—A Navel Adventure (2002), Pixiescope (2003), The Waifen Maiden (2003) , and Consume (2003) are being screened at the festivals around, including Turino Film Festival, Madrid, Recontres Paris/Berlinthe world and more information regarding them is available by request. They were also exhibited by the San Francisco Cinematheque at the Yerba Buena Center on December 11, 2003
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THE SOUL OF THINGS
2010 / 16 mm / n&b / sil / 15' 00 |
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ANACONDA TARGETS
2004 / Beta SP / n&b / son / 11' 00 |
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PIXIESCOPE
2003 / 16 mm / n&b / son / 4' 00 |
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WAIFEN MAIDEN + CONSUME
2003 / 16 mm / coul-n&b / son / 12' 45 |
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BATTLE STATIONS : A NAVEL ADVENTURE
2001 / 16 mm / n&b / son / 5' 50 |
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IN THE COURSE OF HUMAN EVENTS
1997 / 16 mm / n&b / son / 25' 00 |
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LINE OF FIRE
1997 / 16 mm / n&b / sil / 7' 00 |
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PREMONITION
1995 / 16 mm / n&b / son / 10' 00 |
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DECONSTRUCTION SIGHT
1990 / 16 mm / n&b / son / 12' 00 |
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CONTINUUM
1987 / 16 mm / n&b / sil / 15' 00 |
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PHONE / FILM PORTRAITS
1985 / 16 mm / n&b / son / 6' 00 |
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VOYEURISTIC TENDENCIES
1984 / 16 mm / n&b / son / 17' 00 |
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HONEYMOON IN RENO
1983 / 16 mm / coul / son / 4' 00 |
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I'D RATHER BE IN PARIS
1982 / 16 mm / coul-n&b / sil / 16' 00 |
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A TICKET HOME
1982 / 16 mm / coul / son / 9' 30 |
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