Starting in 1957, Raphael Montañez Ortíz produced a number of singular works by subjecting 16mm prints of commercially- or institutionally-produced films to a cut-up method inspired by Yaqui shamanic practices, a kind of ritualistic chance operation intended to break down their structure and thoroughly undermine their discursive power.
1 COPIE EN DISTRIBUTION
|
format de distribution |
Fichier sur serveur (PAL) |
|
cadre de projection |
4/3 (simple écran) |
|
vitesse de projection |
25 ips |
|
son |
son |
|
prix de location |
30,00 € |
