As an underground filmmaker and video artist, Jud Yalkut participated in seminal moments of early video art. In 1965 Yalkut became a resident filmmaker for USCO, a countercultural collective. Starting in 1966 and continuing into the 1970's, he collaborated with Nam June Paik on a series of video-film pieces in which he used the medium of film not merely to document performances, but, through editing and juxtaposition, to create conversations between film and video.
WAITING FOR COMMERCIALS
1972 / couleur / sonore / simple écran / 7' 00 / 32 € distribution : 16mm |
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CLARENCE
1965-1968 / 16mm / couleur / sonore / simple écran / 10' 00 / 40 € distribution : 16mm |
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US DOWN BY THE RIVER
1966 / couleur / sonore / simple écran / 3' 00 / 25 € distribution : 16mm |
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TURN, TURN, TURN
1965-1966 / couleur / sonore / simple écran / 10' 00 / 40 € distribution : 16mm |