- Images (3)
- Liens (1)
- Agenda
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The ten programs in this series have been constructed from Austrian avant-garde films and videos produced between 1955 and 2010 in which virtually every technique and genre imaginable is employed, from formalist and structuralist works to radical work by performance-based artists. Works already considered canonical are supplemented by others that introduce boundary-breaking experiments with sonic art and digital technology. Moving between historical, social and aesthetic questions and purely formal works that wreak havoc with the retina, this panoramic selection is an attempt to define a poetic edge within a vast array of production while underlining links and relationships between several generations of artists, (re)discovering new ways of entering into the “material” and the frame, and examining the mechanics of cinema.
Film Ist. 1 – Bewegung und Zeit / Film Is. – movement and time (Gustav Deutsch, 2002 / 16mm / b&w / 15 min)
Schönberg (Gerhard Ertl, 1990 / 16mm / b&w / 3 min)
Yes? Oui? Ya? (Thomas Draschan, 2002 / 16mm / colour / 4 min)
Mirror Mechanics (Siegfried A. Fruhauf, 2005 / 35mm / b&w / 7 min)
Subrosa (Karoe Goldt, 2004 / video / colour / 3 min)
Arnulf Rainer (Peter Kubelka, 1960 / 35mm / 6 min)
Die Geburt der Venus / Birth of Venus (Moucle Blackout, 1970-72 / 35mm / b&w / 5 min)
Sunset Boulevard (Thomas Korschil, 1991 / 16mm / colour / silent / 8 min)
Wisla (Josef Dabernig, 1996 / 16mm / b&w / 8 min)
Body Politics (VALIE EXPORT, 1974 / video / b&w / silent / 3 min)
Instructions for a Light and Sound Machine (Peter Tscherkassky, 2005 / 35mm cs / b&w / 17 min)
Hernals (Hans Scheugl, 1967 / 16mm / colour / 11 min)
Byketrouble (Carola Dertnig, 1998 / video / colour / 5 min)
pièce touchée (Martin Arnold, 1989 / 16mm / b&w / 16 min)
Nach “pièce touchée” (Albert Sackl, 1998 / 16mm / b&w / silent / 9 min)
Hotel Roccalba (Josef Dabernig, 2008 / 35mm / b&w / 10 min)
Bodybuilding (Ernst Schmidt Jr., 1965-66 / 16mm / colour / 9 min)
Livingroom (Sabine Hiebler & Gerhard Ertl, 1991 / 16mm / colour / 5 min)
Danke, es hat mich sehr gefreut / I have been very pleased / (Mara Mattuschka, 1987 / 16mm / b&w / 2 min)
Neon (Nik Thoenen & Timo Novotny, 2003 / video / colour / 5 min)
Legal Errorist (Mara Mattuschka & Chris Haring, 2005 / video / b&w / 15 min)
Spucken / Spitting (Friedl vom Gröller, 2000 / 35mm / b&w / silent / 2 min)
Maria Lassnig Ballade / The Ballad of Maria Lassnig (Maria Lassnig & Hubert Sielecki, 1992 / 35mm / colour / 8 min)
Pullover (Günter Brus, 1967 / 16mm / b&w / silent / 3 min)
8/64 Ana – Aktion Brus (Kurt Kren, 1964 / 16mm / b&w / silent / 3 min)
November (Hito Steyerl, 2004 / video / colour, b&w / 25 min)
Copy Shop (Virgil Widrich, 2001 / 35 mm / b&w / 12 min)
L’Arrivée (Peter Tscherkassky, 1997-98 / 35mm cs / b&w / 2 min)
Luukkaankangas – updated, revisited (Dariusz Kowalski, 2005 / video / colour / 7 min)
mir mig men (Karoe Goldt, 2002 / video / colour / 5 min)
Perfekt 2 - Tacoma (Dietmar Brehm, 1982 / 16mm / b&w / 12 min)
Film – An Exercise in Illusions II (Lisl Ponger, 1983 / 35mm / colour / silent / 4 min)
Adjunct Dislocations (VALIE EXPORT, 1973 / video / b&w / 10 min)
15/67 TV (Kurt Kren, 1967 / 16mm / b&w / silent / 4 min)
Alpine Passage (Michaela Schwentner, 2006 / video / colour / 8 min)
Vertigo Rush (Johann Lurf, 2007 / 35mm / colour / 19 min)
Alone. Life Wastes Andy Hardy (Martin Arnold, 1998 / 16mm / b&w / 15 min)
Borgate (Lotte Schreiber, 2008 / video / colour, b&w / 15 min)
Outer Space (Peter Tscherkassky, 1999 / 35mm cs / b&w / 10 min)
Film Ist. - Komisch / Film is. 7 – Comic (Gustav Deutsch, 2002 / 35mm / colour, b&w / 19 min)
MOSAIK MÈCANIQUE (Notes on Film 03) (Norbert Pfaffenbichler, 2008 / 35mm cs / b&w / 9 min)
Picture Again (Linda Christanell, 2003 / 16mm / colour / silent / 10 min)
Zwölf Boxkämpfer jagen Viktor quer über den grossen Sylter Teich 140 9 |
The quick brown fox jumps over the lazy dog (Johann Lurf, 2009 / 35mm / colour / 3 min)
NS Trilogie Part II: Feeling Kazet (Linda Christanell, 1997 / 16mm on video / 14 min)
NightStill (Elke Groen, 2007 / 35mm / colour / 9 min)
Kunst & Revolution / Art & Revolution (Ernst Schmidt Jr., 1968 / 16mm / b&w, colour / silent / 2 min)
55/95 (Gustav Deutsch, 1994 / 16mm / b&w / 1 min)
Ein Drittes Reich / A Third Reich (Alfred Kaiser, 1975 / 16mm / b&w / 29 min)
Tito-Material (Elke Groen, 1998 / 16mm / colour / 5 min)
cityscapes (Michaela Grill & Martin Siewert, 2007 / 35mm / b&w /16 min)
20/68 Schatzi (Kurt Kren, 1968 / 16mm / b&w / silent / 2:30 min)
An diesen Abenden / On those Evenings (Herbert Vesely, 1952 / 35mm / b&w / 23 min)
Pool (Dietmar Brehm, 1990 / 16mm / colour / silent / 4 min)
Sonne Halt! / Sun Stop! (Ferry Radax, 1959-60 / 35mm / b&w / 25 min)
Key West (Thomas Aigelsreiter, 2002 / video / b&w / 5 min)
Film Ist. – Eroberung / Film Is. 9 – Conquest (Gustav Deutsch, 2002 / 35mm / b&w/colour / 18 min)
Passagen / Passages (Lisl Ponger, 1996 / 35mm / colour / 11 min)
Unsere Afrikareise / Our Trip to Africa (Peter Kubelka, 1961-66 / 16mm / colour / 12:30 min)
6/64 Mama und Papa (Kurt Kren, 1964 / 16mm / colour / silent / 4 min)
Body Trail (Michael Palm, Willi Dorner, 2008 / video / b&w / 8 min)
Forst (Ascan Breuer, Ursula Hansbauer, Wolfgang Konrad, 2005 / video / colour / 50 min)
Somewhere, late afternoon (Ella Raidel, Hongjohn Lin, 2007 / video / colour / 11 min)
Exposed (Siegfried A. Fruhauf, 2001 / 16mm / b&w / 9 min)
Adebar (Peter Kubelka, 1957 / 35mm / colour / 1 min)
Schwechater (Peter Kubelka, 1957-58 / 35mm / colour / 1 min)
Iris (Maria Lassnig, 1971 / 16mm / 10 min)
Le Barometre (Friedl vom Gröller, 2001 / 35mm / b&w / silent / 3 min)
Berühmte Wienerinnen nackt: Die Geschichte des Pin-Up 1-3 /
Famous Viennese Women naked: The History of the Pin-Up 1-3 (Ernst Schmidt, Jr., 1983 / 16mm / colour / silent / 9 min)
TV + VT Works (Peter Weibel, 1969-72 / video / b&w / 17.30 min)
Close Your Eyes (Billy Roisz, 2009 / video / colour / 13 min)
Mann & Frau & Animal (VALIE EXPORT, 1970-73 / 16mm / colour / 10 min)
22/69 Happy End (Kurt Kren, 1969 / 16mm / b&w / silent / 4 min)
quadro (Lotte Schreiber, 2002 / video / b&w / 10 min)
Besenbahn (Dietmar Offenhuber, 2001 / video / colour / 10 min)
Humanic Spots – Cubes 1 (Axel Corti, 1971 / video / colour / 00:30 min)
John Lautner – The Desert Hot Springs Motel (Sasha Pirker, 2007 / colour / 10 min)
Void.Seqz 5 (n:ja Anna Rautgasser, 2009 / video / 5 min)
Humanic Spots – Cubes 2 (Axel Corti, 1971 / video / colour / 00:30 min)
Hyperbulie (VALIE EXPORT, 1973 / video / b&w / 7 min)
Random (Marc Adrian, 1963 / 16mm / b&w / 5 min)
Chronomops (Tina Frank, 2004 / video / colour / 2 min)
Humanic Spots – Cubes Again (Axel Corti, 1973 / video / colour / 00:30 min)
The_future_of_human_containment (Michaela Schwentner, 2002 / 35mm / b&w / 5 min)
Sea Concrete Human (Malfunctions #1) (Michael Palm, 2001 / 35mm / colour, b&w / 29 min)
Machination 84 (lia, 2010 / video / colour / 5 min)
| lieu |
Centre Pompidou Place Georges Pompidou 75004 Paris France |
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| international@sixpackfilm.com | |
| lien en relation |
sixpackfilm.com
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