by Charlotte PRYCE
2006 / 16mm / color / silent / 1S / 4' 00 |
The title is taken from an obscure genre of 17th century painting: Forest Floor Paintings (or Sottobosco), which heralded a first attempt to place plant specimens into a “real” environment as opposed to a vase. Inspired by the juxtaposition of the real and the imagined, my film takes the form of three plant studies, in which the plants, images of the plants, and their envisioned environments are intertwined.
— C. P.
Three Miniature, Illuminated, Heliographic studies of plants, observed and imagined.
The individual titles of the films are:
Burnt Umber/ pale ochre/ Burnt Umber
The Talk of Lichen on a Lonely Day
Those Whose Attachment to the Earth is but Tentative
distribution format | Digital file on server (HD) |
---|---|
screen | 1,37 - Standard (single screen) |
speed | 24 fps |
sound | silent |
rental fee | 32,00 € |
distribution format | 16mm |
---|---|
screen | 1,37 - Standard (single screen) |
speed | 24 fps |
sound | silent |
rental fee | 32,00 € |