The invention of the cinematograph by Louis and Auguste Lumière in 1895 marked the culmination - synthesis, standardisation and industrialisation - of various research carried out in previous years on the decomposition and illusion of movement through a series of fixed shots (Demenÿ, Reynaud, Muybridge, Londe, Marey...).
These images are now being reworked by the generation of "post-structuralist" filmmakers, for whom the magic of the device lies in the articulation of two images, which in no way are neutral.
2 PRINTS IN DISTRIBUTION
|
distribution format |
16mm |
|
screen |
1,37 - Standard (single screen) |
|
speed |
24 fps |
|
sound |
silent |
|
rental fee |
47,00 € |
|
distribution format |
16mm |
|
screen |
1,37 - Standard (single screen) |
|
speed |
24 fps |
|
sound |
silent |
|
rental fee |
47,00 € |
