by Al RAZUTIS
1982 / color / sound / 1S / 11' 30
An essay on expressionism and the horror of Gothic. This evokes humanity under the influence of two notions of the absolute, of demons of monstrous proportions, classicism and the question of individuation. Artaud, although a figure indirectly associated with the history of cinema, is considered in this essay as the first provocateur in the collision between classicism (the Greek choir) and romantic expressionism. Dreyer's passion staged this inquisition.
|screen||1,37 - Standard (single screen)|
|rental fee||35,00 €|