by Carl BROWN
2006 / 16mm / color / sound / 2S / 54' 00
This is a homage to Claude Monet and Eustace R. Brown who both taught me to
«cultivate my garden»
In my film work over the past twenty years water has always been a touchstone for my emotional state. To look out at the water whether it be lake or sea is to face the two endless zones, that of water and sky and the mysterious edge at which they meet. I find this vision one of the strongest intimations of infinity.
Monet is an artist that I have always greatly admired. His use of colour through water and sky to convey his emotional state has had a great influence on me. Whether it was the first rays of light glinting the water's edge or the magic time just before nightfall, Monet's sense of colour and colour conveyance has always been perfect. I have used my techniques of alchemical film to translate onto film my impressions of Monet's sense of colour, water, sky and his most powerful icon the water lily. Using my toning, liquid emulsion, reticulation, dried crystal bleach formations and stacking techniques to just name a few I have translated the Monet experience onto the surface of my film.
An illustrational form tells you through its intelligence immediately what the form is about, whereas a nonillustrational form works first upon sensation and then slowly leaks back into fact. Alchemical work provides both illustration and nonillustration simultaneously.... the experiential depth of representation (the photographic source), and a sensuous (abstract) surface of the wild, both seen and unseen...but felt. That is what is art creation; a union between the beauty that is Monet converted through my alchemical nature into a new form for a new generation of viewers.
|screen||1,37 - Standard (double screen)|
|rental fee||152,00 €|