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by Holly FISHER
1992 / 16mm / color / sound / 1 screen / 77' 00 |
Images from My Darling Clementine form the basis for thought-provoking interpretation in Fisher’s Bullets for Breakfast. Combining stunning optical printing with a dense weaving of poetry, storytelling, and visual narrative, Fisher’s film explores the violent underside of another frontier—gender relations. Juxtaposing a pulp-western writer with a feminist poet, or women working at a herring smokehouse with those depicted in paintings by European Masters, Fisher reorders stories and images like musical motifs. A captivating hybrid of experimental and documentary technique, Bullets for Breakfast mines the depths of subjectivity, blurring the lines between myth and reality, fact and fiction.
–Jon Stout, co-founder, Free Speech TV,
former Director, Film Forum, Los Angeles, CA
| distribution format | 16mm |
|---|---|
| screen | 1,37 (single screen) |
| speed | 24 fps |
| sound | optical sound |
| original language | English |
| translation | French (Text document) |
| rental fee | 205,00 € |