Formal reminiscences of 68 and of the front lines against digital imperialism. Jacques Perconte explores and weaves together materials of two films by JLG from 1967 and 1968 — representing the esthetic and economic “viet-nam” within the film industry — so that the unstable plasticity of current digital technology surges forth. Rebel colors and forms are moved by the grace of Godard’s women. Bidhan Jacobs
1 PRINT IN DISTRIBUTION
distribution format |
Digital file on server |
screen |
4/3 (single screen) |
speed |
24 fps |
sound |
sound |
rental fee |
26,00 € |