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Boats are entering in the Split harbor. Each sequence is a maneuver: slow and continuous. Nevertheless, boats and their movements become more and more difficult to recognize because the image is drawn in fluctuations of its physical elements. Textures of bulky light layers and grainy grey noises are confounded with the soundtrack. The latter is articulated around the touch, i.e. local and non-propagating formations grafted on thick resonant and tonal substrate.
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Light Cone 157 rue de Crimée 75019 Paris France |
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