As an underground filmmaker and video artist, Jud Yalkut participated in seminal moments of early video art. In 1965 Yalkut became a resident filmmaker for USCO, a countercultural collective. Starting in 1966 and continuing into the 1970's, he collaborated with Nam June Paik on a series of video-film pieces in which he used the medium of film not merely to document performances, but, through editing and juxtaposition, to create conversations between film and video.
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WAITING FOR COMMERCIALS
1972 / couleur / sonore / simple écran / 7' 00 / 32 € distribution : 16mm |
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CLARENCE
1965-1968 / 16mm / couleur / sonore / simple écran / 10' 00 / 40 € distribution : 16mm |
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US DOWN BY THE RIVER
1966 / couleur / sonore / simple écran / 3' 00 / 25 € distribution : 16mm |
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TURN, TURN, TURN
1965-1966 / couleur / sonore / simple écran / 10' 00 / 40 € distribution : 16mm |