Finally I moved the camera, in a slow pan from one side of the wide door of my wife’s pottery studio to the other. While the camera is panning left, the visual sense is of the features of the near and far landscape moving right. The doorway itself marks a plane separating the inside from the outside, as windows will do in other films. Because of the change in temperature between the inside and outside there is a pulse that is visible along with the shutter’s pulse when the film is projected at the correct silent speed. This pulse seems like the pulse of vision that emanates out from the camera, making a moving cow stand frozen behind another. That image stands out from the other material as most charged with meaning, but it too passes by. The lines of hills and fences end edges continue the motif of the line in FOG LINE, and prefigure HORIZONS. - L.G.
2 PRINTS IN DISTRIBUTION
|
distribution format |
Digital file on server (FHD) |
|
screen |
1,37 - Standard |
|
speed |
16 fps |
|
sound |
silent |
|
rental fee |
41,00 € |
|
distribution format |
DCP on server (SMPTE 2K) |
|
screen |
1,37 - Standard |
|
speed |
30 fps |
|
sound |
silent |
|
rental fee |
41,00 € |
