Women are the focus but not the object of Trinh T. Minh-ha’s influential first film, a complex visual study of the women of rural Senegal. Through a complicity of interaction between film and spectator, REASSEMBLAGE reflects on documentary filmmaking and the ethnographic representation of cultures.
“With uncanny eloquence, REASSEMBLAGE distills sounds and images of Senegalese villagers and their surroundings to reconsider the premises and methods of ethnographic filmmaking. By disjunctive editing and a probing narration this ‘documentary’ strikingly counterpoints the authoritative stance typical of the National Geographic approach.” — Laura Thielan
3 PRINTS IN DISTRIBUTION
|
distribution format |
Digital file on USB stick (2K) |
|
version
|
restored version |
|
screen |
1,37 - Standard (single screen) |
|
speed |
24 fps |
|
sound |
sound |
|
original language |
English |
|
rental fee |
134,00 € |
|
distribution format |
Digital file on server (2K) |
|
version
|
restored version |
|
screen |
1,37 - Standard (single screen) |
|
speed |
24 fps |
|
sound |
sound |
|
original language |
English |
|
rental fee |
134,00 € |
|
distribution format |
DCP on server (INTEROP 2K) |
|
screen |
1,37 - Standard (single screen) |
|
speed |
24 fps |
|
sound |
sound |
|
original language |
English |
|
rental fee |
134,00 € |
