by James WHITNEY
1950-1957 / 16mm / color / sound / 1S / 8' 00 |
The repeated accelerating flickers between black and white or solid color frames photo-kinetically induce an alpha meditative state. Into the climax of these generative alternations of spectral opposites, the dots enter and enact movements which are as carefully "choreographed" in the sense of purely visual "music" as had been the imagery in the FILM EXERCISES, including variations, inversions, harmonic and contrapuntal balances and imbalances, etc. The screen is scrupulously sustained as a flat expository surface, and a reflexive consciousness of the film material process is maintained by the use of flickers, transparent/white backgrounds, scratches, and solarized, step-printed episodes, in which the hand-wrought, irregular textures also recall (for those familiar with this background information) both James' expertise as a raku potter and the Alchemical processes of transmuting elements, in this case the colored chemicals of the film emulsion by the "solar" Fire. - William Moritz
Music: Cain & Abel by Henk Badings
distribution format | 16mm |
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screen | 1,37 - Standard (single screen) |
speed | 24 fps |
sound | optical sound |
rental fee | 37,00 € |