passage a l'acte (1993) makes a simple breakfast scene from To Kill a Mockingbird look like a surrealist nightmare. The 1950s family is the target here. Those who know the film will recognize the characters as a father, his two kids, and a neighbor woman, but the film transforms them into a crazed version of the postwar family. While "Mother" sits with a frozen smile and Father (Gregory Peck) reads the paper, sonny boy gets up from the table and opens and closes the screen door repeatedly. The slamming of the door sounds like gunfire, hinting at an unnamed aggression occurring somewhere just outside this sacred space of the '50s home and perhaps at disturbing forces at work within this family. Arnold's exploitation of these characters is pitiless; like an evil puppeteer he repeats a shot of Gregory Peck screaming words and parts of words to stultifying effect, while the son twitches back and forth with some unknowable frustration and the daughter makes gutteral noises that attain a kind of robot rhythm.
5 PRINTS IN DISTRIBUTION
distribution format |
16mm |
screen |
1,37 - Standard (single screen) |
speed |
24 fps |
sound |
optical sound |
rental fee |
84,00 € |
distribution format |
16mm |
screen |
1,37 - Standard (single screen) |
speed |
24 fps |
sound |
optical sound |
rental fee |
84,00 € |
distribution format |
16mm |
screen |
1,37 - Standard (single screen) |
speed |
24 fps |
sound |
optical sound |
rental fee |
84,00 € |
distribution format |
Digital file on server (FHD) |
screen |
4/3 (single screen) |
speed |
24 fps |
sound |
sound |
rental fee |
84,00 € |
distribution format |
16mm |
screen |
1,37 - Standard (single screen) |
speed |
24 fps |
sound |
optical sound |
rental fee |
84,00 € |