Deconstruction, a term still fashionable for describing the methods of experimental film and evaluating its result, always promises a lot and often delivers too little. But in the case of Nana Swiczinsky’s LEZZIEFLICK a positive relationship to the postmodern comes to the forefront: as though effortlessly, the film presents the results of a (foreseeable) failure in the search for depictions of women’s erotic relationships among general stocks of images. Women’s clichés from picture agents and porno posters are found, a discovery that at first glance is not very amusing: Dull, pale, pixel-filled images of rigid women’s poses on the telephone, during a massage, having sex. However, by means of a morphing technique, with her usual sovereign handwork Swiczinsky creates a movement in these flat pictures that delves their depths.
1 PRINT IN DISTRIBUTION
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distribution format |
Digital file on server (SD) |
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screen |
4/3 (single screen) |
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speed |
25 fps |
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sound |
sound |
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rental fee |
28,00 € |
