FADES AND CLOSE-UPS

by Robert HUOT
1978 / Super 8mm / b&w / sound / 1S / 8' 00




“…was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing. The camera fades in and out on a symmetrical series of lovely, grainy close-ups of the naked, apparently sleeping forms of a male and a female (Huot himself and Carol Kinne). The film is closely related to, and would be especially interesting screened with Willard Maas’ Geography of the Body, Tara Iimura’s Love, and Yoko Ono’s Fly.”—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.

1 PRINT IN DISTRIBUTION


distribution format Digital file on server (NTSC)
screen 4/3 (single screen)
speed 29,976 fps
sound sound
rental fee 29,00 €