by Hans RICHTER |
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« By film I mean visual rhythm... to see movement, organized movement, wakes us up, wakes up resistance, wakes up our sense of enjoyment as well. At the mercy of ‘feeling’, reduced to going with the rhythm according to the successive rise and fall of the breath and the heartbeat, we are given a sense of what feeling and perceiving really is: a process - MOVEMENT. »
– Hans Richter, 1924
Richter's position in the art world was unique. As one of the earliest exponents of Dada, he was also one of the first to recognize the new possibilities cinematography offered the artist. He participated in the first avant-garde film movement alongside Léger, Duchamp, Man Ray, Picabia, Cocteau and Dalí, and later in New York his teachings would influence many of the "New American Cinema" filmmakers.
Bonus :
RICHTER ON FILM by Cécile Starr, 16mm, 1972, 14'
RHYTHMUS 21 1921-1924 / 35mm / n&b / silencieux / 3' 19 by Hans RICHTER |
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RHYTHMUS 23 1923-1924 / n&b / silencieux / 4' 00 by Hans RICHTER |
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FILMSTUDIE 1926 / n&b / sonore / 5' 00 by Hans RICHTER |
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VORMITTAGSSPUK 1928 / 35mm / n&b / sonore / 7' 00 by Hans RICHTER |
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RENNSYMPHONIE 1929 / n&b / silencieux / 7' 00 by Hans RICHTER |
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ZWEIGROSCHENZAUBER 1928 / n&b / silencieux / 2' 00 by Hans RICHTER |
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INFLATION 1928 / n&b / silencieux / 3' 00 by Hans RICHTER |
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ALLES DREHT SICH, ALLES BEWEGT SICH 1930 / n&b / sonore / 3' 00 by Hans RICHTER |
publisher | Re:voir |
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format | PAL |
zone | 0 (region free) |
running time | 28 min. |