SPLIT INFINITIES:
self-portrait reconsidered

by Holly FISHER
1996-2017 / 16mm / color-b&w / sound / 1 screen / 36' 00




Two films & two iPhone sketches, with 40 years between them. Includes formal studies in light & shadow, subjectivity & objectivity, film material and the creative process. Filmmaker’s self-portrait in time, and by chance.
GLASS SHADOWS (1976); FROM THE LADIES (1977); 3.21.16 IN ANTICIPATION OF A MOVE TO JERSEY CITY (2016); SPLIT INFINITY (2015). Two shot with Bolex, and two with iPhone, between 1976 – 2016.

1 PRINT IN DISTRIBUTION


distribution format Digital file on server (SD)
screen 1,37 (single screen)
speed 29,976 fps
sound sound
original language English
rental fee 135,00 €