by Malcolm LE GRICE
1977 / 16mm / color / silent / 1S / 6' 00 |
As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a ‘study’. It is not about a Cezanne painting, but attempts to apply certain concepts related to the relativity of changing viewpoints in observation and recording. In much the same way as a Cezanne painting records within its image the problem of stabilising a perception and the way in which shifts in viewpoint modify the spatial experience, the film uses time lapse and time exposure to seek a filmic equivalent for this aesthetic.
distribution format | 16mm |
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screen | 1,37 - Standard (single screen) |
speed | 24 fps |
sound | silent |
rental fee | 24,00 € |