As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a ‘study’. It is not about a Cezanne painting, but attempts to apply certain concepts related to the relativity of changing viewpoints in observation and recording. In much the same way as a Cezanne painting records within its image the problem of stabilising a perception and the way in which shifts in viewpoint modify the spatial experience, the film uses time lapse and time exposure to seek a filmic equivalent for this aesthetic.
1 PRINT IN DISTRIBUTION
distribution format |
16mm |
screen |
1,37 - Standard (single screen) |
speed |
24 fps |
sound |
silent |
rental fee |
24,00 € |