In the presence of Muriel Tinel-Temple.
To coincide with the publication of her book FILMMAKER AT WORK: SELF-PORTRAITS (by the Hermann publishing house), the author will present a selection of films that explore the different facets of the self-portrait.
A self-portrait is not only a biographical account that puts forward the individual, but also a kind of work-in-progress in which the artist represents him- or herself at a given instant of the process.
Endlessly questioning his or her form of expression, the self-portraitist filmmaker reinvents, manipulates, experiments with the film medium as material. The filmmaker plays with changes of format, works directly with the film frame (celluloid or pixel), constructs new filming tools or reinterprets the foundations of the moving image using composition, progression, texture and tonality.
SELF PORTRAIT POST MORTEM
by Louise BOURQUE 2002 / 35mm / color / sound / 2' 30 |
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LA FACE ET LE DOS EN MEME TEMPS
by Jun'ichi OKUYAMA 1990 / 16mm / color / sound / 6' 00 |
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AUTOPORTRAIT AU DISPOSITIF
by Christian LEBRAT 1981 / 16mm / color / silent / 9' 00 |
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MY COLLECTIONS
by Kohei ANDO 1988 / 16mm / color / sound / 10' 00 |
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KAMERA
by Dietmar BREHM 1997 / 16mm / color / silent / 9' 00 |
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A TAPE RECORDER
by Maki SATAKE 2007 / Video / color / sound / 4' 00 |
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AUTOPORTRAIT REFILMÉ
by Olivier FOUCHARD 1998 / 16mm / b&w / silent / 3' 00 |
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AUTOPORTRAIT
by ERIKM 2008 / Video / color / sound / 5' 38 |
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STÜNDLICH I
by Milena GIERKE 1991 / Video / color / silent / 6' 30 |
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WATCHING PAINT DRY
by Jo Ann KAPLAN 2010 / Video / color / sound / 18' 00 |
address |
Studio des Ursulines 10, rue des Ursulines 75005 Paris France |
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lightcone@lightcone.org | |
rates | single rate: 6.50 € |