Light Cone

by Stan VANDERBEEK

45.90 €

Price for individuals only.
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DVD 1: VISIBLES 1

Surrealistic transformation of a footbridge into an eye that opens to a path that leads to a glowing flower that becomes a body that becomes a landscape, have the effect, in Vanderbeek’s words, of an “experiment in animation in which the eye of the viewer travels deeper and deeper into each scene, finding new relationships and visual metaphors in what appears, at first sight, a simple scene... Juxtaposed with what we see is what we think we saw... The memory of the dream is as real as the dream itself, but it is completely different from the dream."
-Janet Vrchota, Print 1973

DVD 2: VISIBLES 2

It is part of the interesting nature of art that at this same juncture in the crossroads of art, with the perfection of a means to capture exactly perspective and “realism,” the artist’s vision is turning more to his interior, and in a sense to an infinite exterior, abandoning the logic of aesthetics and springing full-blown into a juxtaposed and simultaneous world that ignores the one-point-perspective mind and the one-point-perspective lens.
-Stan Vanderbeek, American Scholar Vol.35 1966

DVD 3: COMPUTER GENERATION

We’re just fooling around on the outer edges of our own sensibilities. The new technologies will open higher levels of psychic communication and neurological referencing.” For the last five years Stan VanDerBeek has been working simultaneously with live-action and animated films, single and multiple-projection formats, intermedia events, video experiments, and computer graphics. Clearly a Renaissance Man, VanDerBeek has been a vital force in the convergence of art and technology, displaying a visionary’s insight into the cultural and psychological implications of the Paleocybernetic Age.
-Gene Youngblood, Expanded Cinema 1970

CONTENT

	SCIENCE FRICTION 1959 / couleur / sonore / 10' 00 by Stan VANDERBEEK
	ACHOO MR KEROOCHEV 1959 / n&b / sonore / 1' 30 by Stan VANDERBEEK
	À LA MODE 1959-1960 / n&b / sonore / 7' 00 by Stan VANDERBEEK
	BREATHDEATH 1964 / 16mm / n&b / sonore / 15' 00 by Stan VANDERBEEK
	SEE, SAW, SEEMS 1965 / 16mm / n&b / sonore / 5' 00 by Stan VANDERBEEK
	PANELS FOR THE WALLS OF THE WORLD 1967 / n&b / sonore / 8' 00 by Stan VANDERBEEK
	POEMFIELD NO. 2 1971 / couleur / sonore / 6' 00 by Stan VANDERBEEK
	OH! 1968 / 16mm / couleur / sonore / 10' 00 by Stan VANDERBEEK
	SYMMETRICKS 1972 / n&b / sonore / 6' 00 by Stan VANDERBEEK
	ASTRAL MAN 1957 / 16mm / couleur / 2' 30 by Stan VANDERBEEK
	MANKINDA 1957 / n&b / sonore / 10' 00 by Stan VANDERBEEK
	WHAT, WHO, HOW 1957 / n&b / sonore / 8' 00 by Stan VANDERBEEK
	WHEEEELS NO. 1 1958 / 16mm / n&b / sonore / 8' 06 by Stan VANDERBEEK
	WHEEEELS NO. 2 1959 / n&b / sonore / 5' 00 by Stan VANDERBEEK
	DANCE OF THE LOONEY SPOONS 1959 / 16mm / n&b / sonore / 5' 00 by Stan VANDERBEEK
	BLACK AND WHITE, DAY AND NIGHT 1962 / 5' 00 by Stan VANDERBEEK
	SKULLDUGGERY 1960 / 16mm / n&b / sonore / 5' 00 by Stan VANDERBEEK
	THE HUMAN FACE IS A MONUMENT 1965 / 16mm / n&b / sonore / 9' 30 by Stan VANDERBEEK
	THE SMILING WORKMAN 1967 / 16mm / couleur / silencieux / 6' 00 by Stan VANDERBEEK
	BIRTH OF THE AMERICAN FLAG 1966 / n&b / sonore / 11' 00 by Stan VANDERBEEK
	POEMFIELD NO. 1 1967 / 16mm / couleur / silencieux / 4' 00 by Stan VANDERBEEK
	POEMFIELD NO. 3 1967 / 16mm / couleur / silencieux / 9' 00 by Stan VANDERBEEK
	POEMFIELD NO. 5 1968 / couleur / sonore / 7' 00 by Stan VANDERBEEK
	POEMFIELD NO. 7 1967-1968 / 16mm / couleur / sonore / 5' 00 by Stan VANDERBEEK
	MOIRAGE 1967 / 16mm / couleur / sonore / 9' 21 by Stan VANDERBEEK
	WHO HO RAY NO. 1 1966-1972 / 16mm / couleur / sonore / 8' 00 by Stan VANDERBEEK
	AD INFINITUM 1968 / 16mm / 10' 00 by Stan VANDERBEEK
	EUCLIDEAN ILLUSIONS 1979-1980 / 16mm / couleur / sonore / 9' 00 by Stan VANDERBEEK