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LIFELINES

by Ed EMSHWILLER
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"[Relativity] is a complex, metaphoric statement of man's place in the universe, from a modernist perspective. Significantly, it engages both science and metaphysics. The most accomplished craftsman of the American avant-garde, Emshwiller uses his hand-held camera as an extension of a dancer's body, for sensuous tracking shots and tortuous movements. Combined with his total mastery of tools and technique, this creates a visually dense and mysterious work that comments on man's evolution, the relativity of his efforts, his slightly ridiculous perseverance, his sexual drives, and his potentially hopeful future."
— Amos Vogel

"What Emshwiller really wants is to become a camera himself! Strange images, strange thoughts must pass through the head (the body) of this man. He knows the camera is blind. All cameras are blind. It is Emshwiller who makes the camera see the world this way, it is he who needs to see the world this way, it is he who twists and turns it and leads it down all these strange and invisible paths, it is Emshwiller's body that vomits out its existential memories and suspicions."
— Jonas Mekas


CONTENT


DANCE CHROMATIC
1959 / 7' 00
by Ed Emshwiller
TRANSFORMATION
1959 / 5' 00
by Ed Emshwiller
LIFELINES
1960
by Ed Emshwiller
THANATOPSIS
1962 / 5' 00
by Ed Emshwiller
TOTEM
1963 / 16' 00
by Ed Emshwiller
GEORGE DUMPSON'S PLACE
1964 / 8' 00
by Ed Emshwiller
RELATIVITY
1966 / 36' 00
by Ed Emshwiller
CAROL
1970 / 36' 00
by Ed Emshwiller
FILM WITH THREE DANCERS
1970 / 19' 00
by Ed Emshwiller

MORE INFORMATION


release date 2026
publisher Re:Voir
format DVD5
zone Interzone Region 0
number of disks 1
running time 109 min.