This film examines the relationship between the 1950's movie gimmicks and the contemporary blockbusters through the synesthesia of the classical abstract cinema.
"Bay’s highest inspirations are those of a virtually experimental filmmaker of pure sensation ; the rush of sensation is also a temptation for experimental filmmakers who often don’t keep their own images onscreen very long (cf. Stan Brakhage)." —Richard Brody, The New Yorker
1 PRINT IN DISTRIBUTION
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distribution format |
Digital file on server (FHD) |
|
screen |
16/9 (single screen) |
|
speed |
25 fps |
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sound |
sound |
|
rental fee |
24,00 € |
