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Seeing's there's no point of reference that does not break down when looked fully in the face, it's preferable to consider them (points of reference) as singular events in a chain of same seen most clearly when seen from the corner of the eye as part of the larger construct that is a person's "Life". Kind of like the blurry forms in the subway cars passing by in the opposite direction in a tunnel. (Don't stare at this metaphor too long or you may go blind)... Insomuch there is no way to bio anyone without having the foolish thing break down when the head is turned to face it head on. How liberating!
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CASSANDRA
1989 / 16mm / color / silent / single screen / 3' 00 / 21 € distribution: 16mm |
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THE LIVING ROCK
1989 / 16mm / color / silent / single screen / 9' 55 / 30 € distribution: 16mm |
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UNNAMED FILM
1989 / 16mm / color / silent / single screen / 0' 45 / 18 € distribution: 16mm |
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CROSS ROAD
1988 / 16mm / color / silent / single screen / 2' 00 / 19 € distribution: 16mm |
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DANCER FOR THE CORONATION
1988 / 16mm / color / silent / single screen / 8' 00 / 27 € distribution: 16mm |
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FOURTH OF JULY
1988 / 16mm / color / silent / single screen / 2' 00 / 19 € distribution: 16mm |
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READYMADES IN HADES
1986-1987 / 16mm / color / sound / single screen / 7' 50 / 40 € distribution: 16mm |
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MIDWEEKEND
1986 / 16mm / color / silent / single screen / 8' 00 / 27 € distribution: 16mm |
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PILGRIM'S PROGRESS
1985 / 16mm / color / silent / single screen / 9' 00 / 30 € distribution: 16mm |
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BIG BROTHER
1983 / 16mm / color / silent / single screen / 8' 00 / 27 € distribution: 16mm |
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FLAP
1983 / 16mm / color / silent / single screen / 3' 00 / 21 € distribution: 16mm |
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SNOW MOVIES
1983 / 16mm / color / silent / single screen / 8' 00 / 27 € distribution: 16mm |
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SONTAG PLATZ
1982 / 16mm / color / silent / single screen / 6' 00 / 26 € distribution: 16mm |