From Pasolini to Bazin (football) via Daney or Godard (tennis), sport has fascinated many filmmakers and film theorists, as a social fact but also for its undeniable aesthetic qualities of bodies that box, swim, run, of body represented in the effort, nudes or not. This phenomenon is part of a historical continuity of the image. Indeed, we see at the end of the nineteenth century, after centuries dominated by particular religious iconography, a resurgence of this representation, notably Manet, Cezanne and Degas.
PIERRICK ET JEAN-LOUP FONT DU FOOT
by Pierrick SORIN 1994 / Video / color / sound / 2' 50 |
|
FRANCE-BRAZIL IN NEW YORK
by Milena GIERKE 1998 / Video / color / silent / 3' 00 |
|
WAVES BECOME WINGS
by Eponine MOMENCEAU 2012 / Video / color / sound / 10' 30 |
|
THE BATTLE OF THE STAND-STILLS
by Alexander STEWART 2010 / Video / color / sound / 15' 45 |
|
DIE BADENDEN
by Johannes HAMMEL 2003 / Video / color / sound / 4' 30 |
|
DOLCE VAGARE IN SACRI LUOGHI SELVAGGI
by Roberto NANNI 1989-2009 / Video / color / sound / 10' 46 |
|
COMBAT DE BOXE
by Charles DEKEUKELEIRE 1927 / 16mm / b&w / silent / 7' 30 |
|
GOLF-ENTRETIEN
by Cécile FONTAINE 1984 / 16mm / color / sound / 3' 00 |
|
WATER PULU
by Ivan Ladislav GALETA 1987-1988 / 16mm / color / sound / 10' 00 |
|
AUERMÜHLE, MAI 2003
AUERMUEHLE, MAY 2003 by Tobias SCHMÜCKING 2003 / 16mm / color / sound / 7' 00 |
address |
Studio des Ursulines 10, rue des Ursulines 75005 Paris France |
---|---|
lightcone@lightcone.org | |
rates | 6.50 € |