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From Pasolini to Bazin (football) via Daney or Godard (tennis), sport has fascinated many filmmakers and film theorists, as a social fact but also for its undeniable aesthetic qualities of bodies that box, swim, run, of body represented in the effort, nudes or not. This phenomenon is part of a historical continuity of the image. Indeed, we see at the end of the nineteenth century, after centuries dominated by particular religious iconography, a resurgence of this representation, notably Manet, Cezanne and Degas.
|   | PIERRICK ET JEAN-LOUP FONT DU FOOT by Pierrick SORIN 1994 / Video / color / sound / 2' 50 | 
|   | FRANCE-BRAZIL IN NEW YORK by Milena GIERKE 1998 / Video / color / silent / 3' 00 | 
|   | WAVES BECOME WINGS by Eponine MOMENCEAU 2012 / Video / color / sound / 10' 30 | 
|   | THE BATTLE OF THE STAND-STILLS by Alexander STEWART 2010 / Video / color / sound / 15' 45 | 
|   | DIE BADENDEN by Johannes HAMMEL 2003 / Video / color / sound / 4' 30 | 
|   | DOLCE VAGARE IN SACRI LUOGHI SELVAGGI by Roberto NANNI 1989-2009 / Video / color / sound / 10' 46 | 
|   | COMBAT DE BOXE by Charles DEKEUKELEIRE 1927 / 16mm / b&w / silent / 7' 30 | 
|   | GOLF-ENTRETIEN by Cécile FONTAINE 1984 / 16mm / color / sound / 3' 00 | 
|   | WATER PULU by Ivan ladislav GALETA 1987-1988 / 16mm / color / sound / 10' 00 | 
|   | AUERMÜHLE, MAI 2003 AUERMUEHLE, MAY 2003 by Tobias SCHMÜCKING 2003 / 16mm / color / sound / 7' 00 | 
| address | Studio des Ursulines 10, rue des Ursulines 75005 Paris France | 
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| lightcone@lightcone.org | |
| rates | 6.50 € |