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| by Maya DEREN |
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« In this film, I have attempted to place a dancer in a limitless, cinematographic space. Moreover, he shares, with the camera, a collaborative responsibility for the movements themselves. This is,in other words, a dance which can exist only on films The movement of the dancer creates a geography that never was. With a turn of the foot, he makes neighbors of distant places. Being a film ritual, it is achieved not in spatial terms alone, but in terms of a time created by the camera. »
— Maya Deren on A STUDY IN CHOREOGRAPHY FOR CAMERA
« In her approach we have the beginnings of a virtually new artform of 'choreocinema' in which the dance and the camera collaborate on the creation of a single work of art. »
— John Martin, New York Times
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A STUDY IN CHOREOGRAPHY FOR CAMERA 1945 / 16mm / n&b / silencieux / 3' 00 by Maya DEREN |
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RITUAL IN TRANSFIGURED TIME 1946 / n&b / silencieux / 14' 00 by Maya DEREN |
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MEDITATION ON VIOLENCE 1948 / 16mm / n&b / sonore / 10' 00 by Maya DEREN |
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THE VERY EYE OF NIGHT 1959 / 16mm / n&b / sonore / 15' 00 by Maya DEREN |
| release date | 2008 |
|---|---|
| publisher | Re:Voir |
| format | PAL |
| zone | 0 (region free) |
| running time | 47 min. |
