- Images (3)
- Links (1)
- Agenda (2)
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Ana Vaz (1986, Brazil) is an artist and filmmaker who works with cinema as an instrument. Her films, or rather her film-poems, travel through territories and events haunted by the perennial consequences of internal and external forms of colonialism, and their footprints on the earth as well as on human and different from human forms. Her practice can also take the shape of writing, critical pedagogy, installations, film programs or ephemeral events, which are expansions or developments of her films. Her works have been presented at film festivals, seminars and institutions such as Locarno Film Festival – Cineasti del presente; Berlinale Forum Expanded; IFFR, Rotterdam; Viennale; Palais de Tokyo, Paris; Pivô, São Paulo; Jeu de Paume, Paris; CPH:Dox; New York Film Festival – Projections; TIFF Wavelengths, Toronto; BFI, London; Cinéma du Réel, Paris; Tate Modern, London; LUX Moving Images, London; Tabakalera, San Sebastián; Whitechapel Gallery, London; MAM Museum of Modern Art, São Paulo; Matadero, Madrid; Jameel Arts Center, Dubai; Mostra de Cinema de São Paulo; Savvy Contemporary, Berlin; among others. She is a recipient of the Sundance Film Institute Nonfiction Grant (2019), the Film Society of Lincoln Center Kazuko Trust Award (2015), as well as grand prizes at Festival dei Popoli (2022), Entrevues Belfort (2022), FIDOCS (2022), Punto de Vista (2020), 25FPS (2020), Cinéma du Réel (2016), Media City Film Festival (2015), Fronteira Experimental and Documentary Film Festival (2015). Ana Vaz is also a founding member of the COYOTE collective, an interdisciplinary group working between ecology and political science through conceptual and experimental formats.
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A ÁRVORE
2022 / 16mm / color / sound / single screen / 20' 32 / 150 € distribution: DCP on server or Digital file on server |
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É NOITE NA AMÉRICA
2021-2022 / 16mm / color-b&w / sound / single screen / 66' 00 / 250 € distribution: DCP on server or Digital file on server |
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13 WAYS OF LOOKING AT A BLACKBIRD
2020 / 16mm / color-b&w / sound / single screen / 31' 00 / 150 € distribution: DCP on server or DCP on USB stick or Digital file on USB stick |
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PSEUDOSPHYNX
2020 / 16mm / color / sound / single screen / 8' 00 / 70 € distribution: DCP on server or Digital file on server |
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APIYEMIYEKÎ?
2019 / 16mm / color-b&w / sound / single screen / 27' 23 / 150 € distribution: DCP on server or DCP on USB stick or Digital file on USB stick |
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ATOMIC GARDEN
2018 / 16mm / color / sound / single screen / 8' 00 / 60 € distribution: Digital file on server |
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OLHE BEM AS MONTANHAS - Look closely at the mountains
2018 / 16mm & HD / color / sound / single screen / 30' 40 / 150 € distribution: DCP on server or Digital file on server |
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AMAZING FANTASY
2016-2018 / 16mm / color / sound / single screen / 2' 38 / 50 € distribution: DCP on server or Digital file on server |
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AMÉRIKA: BAHÍA DE LAS FLECHAS - Amérika: Bay of Arrows
2016 / HD / color / sound / single screen / 8' 46 / 60 € distribution: DCP on server or Digital file on server |
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HÁ TERRA! - There is Land!
2016 / 16mm / color / sound / single screen / 12' 37 / 90 € distribution: DCP on server or Digital file on server |
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UN FILM, RÉCLAMÉ
2015 / HD / color / sound / single screen / 19' 36 / 90 € distribution: DCP on server or Digital file on server |
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OCCIDENTE
2014 / HD & Super 16mm / color / sound / single screen / 15' 15 / 90 € distribution: DCP on server or Digital file on server |
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A IDADE DA PEDRA
2013 / 16mm / color / sound / single screen / 29' 00 / 150 € distribution: DCP on USB stick or Digital file on USB stick |
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LES MAINS, NÉGATIVES
2012 / HD / color / sound / single screen / 15' 09 / 60 € distribution: DCP on server or Digital file on server |
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SACRIS PULSO
2008 / 16mm & Super 8mm / color / sound / single screen / 15' 00 / 60 € distribution: DCP on server or Digital file on server |