For the 8th edition of the expanded cinema festival SCRATCH EXPANDED, Light Cone presents a festive and eclectic evening that reflects the rich diversity of experimental cinema practices.
On the evening's program: performances, videos, outdoor film projections.
Ticket price: 8€
Doors open at 19:30
Refreshments on site
From 20:00 to 00:30 there will be a looped projection of a program of videos from Light Cone's collection.
MIND MOUNTER
by Keitaro OSHIMA 2015 / Video / color / sound / 12' 00 |
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RECONNAISSANCE
by Johann LURF 2012 / Video / color / silent / 5' 00 |
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REIGN OF SILENCE
by Lukas MARXT 2013 / Video / color / sound / 7' 20 |
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TIMANFAYA
by Philippe COTE 2015 / Video / color-b&w / sound / 24' 30 |
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INAUDIBLE FOOTSTEPS
by Rei HAYAMA 2015 / Video / color / sound / 4' 30 |
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ARMOIRE, (2 SECTIONS)
by Vincent GRENIER 2007-2009 / Video / color / sound / 5' 30 |
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SAPPHO AND JERRY PART I, II, III
by Bruce POSNER 1977-1978 / Video / color / sound / 5' 58 |
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SIMPLE DESTINY ABSTRACTIONS
by Douglass CROCKWELL 1937-1940 / Video / color / silent / 1' 50 |
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V4 (IT COULD HAPPEN TO YOU)
by Christian LEBRAT & Giovanna PUGGIONI 2009-2010 / Video / color / sound / 11' 30 |
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60 SECONDS 600 MINUTES
by Maki SATAKE 2013 / Video / color / sound / 1' 50 |
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COKE
by Dietmar BREHM 2013 / Video / color / sound / 3' 00 |
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DESERT RUN
by Victoria KEDDIE 2016 / Video / color / sound / 15' 44 |
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LE COMBAT DU SIÈCLE N'A PAS EU LIEU...
by Anthony ROUSSEAU 2016 / Video / b&w / sound / 3' 40 |
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P.O.P.
by Eduardo MENZ 2013 / Video / b&w / sound / 3' 00 |
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MY SONG IS SUNG
by SJ. RAMIR 2016 / Video / color / sound / 6' 43 |
AV2 - 20:30
2015 / television sets connected to mixing tables in closed circuits / sound / 40 min
Clinch & Pierre Pierre Pierre
An ode to the era of analog television, AV2 reintroduces TV dinners to hip Saturday evening hangouts. Excessive flicker, black-and-white scan lines, first-class contrast, cathodic stupor and intellectual depletion... Like a fan of frenetic channel-zapping, as well as napping in front of spectacle, Clinch & Pierre Pierre Pierre glue themselves to the screen and tear out an audiovisual panorama - sans decoder nor subscription fees.
NORTHERN LIGHTS - 21:30
2014 / 16mm / b&w and color / sound / 45 min
Britt Kootstra & Arvid van der Rijt
Northern Lights is a live cinema performance for five 16mm projectors and hand-processed film loops. Britt Kootstra, a visual artist based in Finland, in collaboration with audio artist Arvid van der Rijt, construct a continuously shifting spatial and immersive environment, with artificially made images of natural phenomena emerging and receding from legibility.
Flying birds show themselves barely recognisable as we arrive in the dusk. Artificial lights arise and pop up in a dreamlike landscape of light and darkness. From the pulsating filmloops, colours start to emerge out of the black and white images. The result is as mesmerising and hypnotising as northern lights can be. As the last colours dissapear, the lights fade away into the darkness again.
M...H - 22:30
2016 / 16mm / b&w and color / sound / 36 min
Gaëlle Rouard
Inspired by O.W, who himself was by W.S.
Rather than a performance, this is a film performed live.
WAVELENGTH - 23:30
2015 / 16mm / b&w and color / sound / approx. 25 mins
Stefano Canapa & Antoine Birot
Wavelength is a research project into the notion of analog signal. Images and sounds are created using a Function Generator and manipulated live with the use of the same device and several 16mm projectors.
From 22:00 to 00:30, a selection of silent films on 16mm (short, medium and longer pieces) from Light Cone's collection.
KIPHO
by Guido SEEBER 1925 / 16mm / b&w / silent / 6' 00 |
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RENNSYMPHONIE
(RACE SYMPHONY) by Hans RICHTER 1929 / 16mm / b&w / silent / 7' 00 |
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SQUARES
by Oskar FISCHINGER 1934 / 16mm / color / silent / 5' 00 |
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MONTGOMERY, ALABAMA
by Rudy BURCKHARDT 1941 / 16mm / color / silent / 4' 00 |
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A STUDY IN CHOREOGRAPHY FOR CAMERA
by Maya DEREN 1945 / 16mm / b&w / silent / 3' 00 |
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FORM PHASES IV
by Robert BREER 1954 / 16mm / color / silent / 3' 30 |
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PORTER SPRINGS 3
by Henry HILLS 1977 / 16mm / color / silent / 5' 00 |
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HORS TITRE I
by Patrice KIRCHHOFER 1981 / 16mm / b&w / silent / 12' 00 |
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BIG BROTHER
by Caroline AVERY 1983 / 16mm / color / silent / 8' 00 |
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GUIMAUVE ET BAISERS BLEUS
by Hélène RICHOL 1983 / 16mm / color / silent / 10' 00 |
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UNE MINUTE VINGT-NEUF DE PEINTURE
by Denis ROUSSEAU-KAPLAN 1984 / 16mm / color / silent / 1' 40 |
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ENJEUX
by Yann BEAUVAIS 1984 / 16mm / color / silent / 5' 30 |
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KOMMA
by Frédéric GRANDPRÉ 1987 / 16mm / color / silent / 2' 30 |
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THE DANTE QUARTET
by Stan BRAKHAGE 1987 / 16mm / color / silent / 6' 30 |
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PLACE MATTES
by Barbara HAMMER 1987 / 16mm / color / silent / 8' 00 |
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SUPER 8 CONTRE 16
by Odile MAINEMARE 1990 / 16mm / color / silent / 1' 50 |
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14 JUILLET
by Olivier FOUCHARD 2005 / 16mm / color / silent / 2' 30 |
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THE MOON
by Sandy DING 2006 / 16mm / color / silent / 4' 00 |
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QUANTA
by Dan BROWNE 2008 / 16mm / b&w / silent / 9' 30 |
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PASSAGE UPON THE PLUME
by Fern SILVA 2011 / 16mm / b&w / silent / 6' 40 |
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PIPE + UNDER A CAR + DONKEY + MOTORCYCLE, BIKE AND HUMAN DOTS + TRIANGLES AND SQUARES
by João Maria GUSMAO & Pedro PAIVA 2011-2014 / 16mm / color / silent / 10' 00 |
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LANDFORM 1
by Stephen BROOMER 2015 / 16mm / color / silent / 2' 26 |
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CHORUS
by Josh LEWIS 2015 / 16mm / color / silent / 17' 00 |
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IN ITS FORM ASLEEP
In seiner Form eingeschlafen by Antoinette ZWIRCHMAYR 2016 / 16mm / color / silent / 3' 30 |
address |
Les Voûtes 19 rue des Frigos 75013 Paris France |
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lightcone@lightcone.org | |
related link |
Les Voûtes
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